#domains17 – MBFWL

Justing getting back home to the shores of the North Atlantic and wanted to be sure & make some notes before too much time passes.

This gathering was a brilliantly organized node hosting a large portion of my favourite people & practitioners.

So many great memories:

Witnessed a brilliant keynote from Martha Burtis – thoughtful as always with insights and provocations to consider and rise to the significant challenges we face as educators in online spaces.  Read her transcript and listen to the recording of her keynote w/ questions from the floor as heard on #ds106radio

Witnessed the strong mojo going on at Muhlenberg College.  Tim Clarke is a model academic librarian bringing passion, drive, and passion to bear in his work.  Not only was his Domains Fair table on point, but the zine I got at his table revealed I won a prize! I won all the fixings needed to create a LibraryBox or Piratebox + more.  Most definitely going to flex the gear and write about it.  Muhlenberg also raised the stakes with Lora Taub-Pervizpour and Jordan Noyes with #domainsresist and their great work with sscommons.org.  Big fav among the SSCommons is the Street Art Graphics collection.

Talked #webaudioapi and Javascript with Tom and Brian and got a chance to bring 10 people to a synced EuroTrash jam with their mobile devices using Ableton Link.

You should not be surprised that @grantpotter is rocking out at #domains17 — Jim Groom (@jimgroom) June 5, 2017

Finally got an opportunity to meet John Udell and hear him talk web annotation spec and application.

As a role playing gamer from wayback, Keegan’s great work with http://goblin.education/ caught my interest and attention.  So much potential and value in role playing games for teaching and learning yet to be tapped – really happy to see Keegan doing great work with it.

“THE LMS IS HERE TO STAY – THE BUDGET LINE’S APPROVED – THE LMS IS HERE TO STAY – WE CAN NEVER MOVE – WE DON’T CARE WHAT STUDENTS SAY – THE LMS IS HERE TO STAY!” via: Karen Cangialosi (@karencang) June 6, 2017

The Moodle Fighters (side project of @Deadmoocmen and @BlackboardSabbath members) via Luke Waltzer (@lwaltzer) June 7, 2017

domans17_offthefloor

Heard Tom Woodward preach the gospel of his SubGenius-inspired #wordpress mojo

Hung out with Scott Robarts & talked WordPress + opened.ca in British Columbia.

Gathered great #crypto resources from Jonathan Poritztextbook and reading.

Met Tim Klapdor and learned more about the Charles Sturt online learning model.

Huge props to the ReclaimHosting folks for a fantastic job gathering this group of educators, designers, and technicians to share work, ideas, and visions of better futures.

 

KFAT and #western106

Just completed that long overdue migration of #ds106radio this week from Canadian Web Hosting (props for a solid 5 years of hosting) to ReclaimHosting.  Broadcasting studio is now setup in a shed on the top of ReclaimHQ and the new antenna is broadcasting stronger than ever with an upgrade to Airtime 2.5.1

Given that the radio schedule is long overdue for a revamp + the fact that #western106 is in need of a country station, I started looking for some syndication candidates for the schedule.

It has been my great fortune to find “the only dead radio station you can listen to on your computer.” KFAT left the airwaves in 1984, but in its short 7 years on the air gathered devoted fans.  It appears the fans and the station recorded hundreds of hours of broadcasts – all of these broadcasts are streamed 24/7 at www.kfat.com.

Here’s a bit about KFAT from Rebels on the Air: An Alternative History of Radio in America that illustrates why I think these recordings are a perfect fit for #ds106radio and #western106 listeners for the next few months:

It may have been the only commercial station, a listener later declared, where you could hear Slim Pickens introduce a Dead Kennedys record.  There was a joke a lot of the DJs like: “It’s all country music. It just depends on what country you come from.”

KFAT was a country music station, but it wasn’t like any other commercial country operation.  It was a freeform country station run by hippies and hip rednecks … there were those weird promos it ran, like the station identification announcements that featured “famous people sneezing.” …

If the Summer of Love had taken place in a garlic-growing country town, if Berkely’s longhaired rebels had preferred George Jones to the Jefferson Airplane, if Jerry Garcia had joined Bill Monroe’s bluegrass band – well, then it would have been a very different world, and KFAT would have been a commercial triumph.  Instead, it was a financial failure, a strange tributary of ‘70s radio that didn’t lead anywhere in particular but sure took an interesting route.

“You know what?” he said. “We could create a radio station that, masquerading as a country station, is like a twenty-four-hour-a-day lampoon of country music.  But in the process, it’s playing folk music, it’s playing music with a living-in-the-country feel, whether it’s the Grateful Dead or George Jones.  And mixed in is inventive production, and mixed in is satire and engaging, interesting characters who have funny names.”  He loved the call letters Lorenzo had come up with, but ge figured they could take the idea further. “Not only do we want to call it KFAT – we want to call it The Fat One. We want to give it that image, to have a big fat cowboy logo.” KFAT, Yurdin suggested, should feel like something vaguely forbidden – like an old Mexican border blaster or a distant black station in the 1950’s South.  It should unusual, eclectic, and exciting.

I have been listening to this stream syndicated over ds106rad.io/listen for the last 2 days and loving it.  Looking forward to digging further into KFAT and #western106 over the next few months.  Also … I think #western106 & #ds106radio may be just the platform needed to launch that freaker country band …

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Takedown

Image via thetyee.ca

It is with equal parts frustration and disappointment that I find myself being compelled to remove the CBC Nightlines and Brave New Waves archives I have hosted at networkeffects.ca since April 2012.  In September 2015 I moved the growing archive of fan recordings to a subdomain of this site using Omeka to organize and share it.  In doing this I also provided a means for fans to share their hometaped recordings – clearly the CBC disapproves of people celebrating their affection in such a manner.

As I have been hosting small clips from my personal collection of Nightlines and Brave New Waves cassettes since 2012, I can only assume that it was my attempt to connect fans and provide a space for sharing that prompted this action.  I have found many people share my love of these programs and the artists they exposed me to – I expect they will also share my disappointment.

My friends and family know my affection for Canada’s public broadcaster.  I wore my CBC logos with pride and frequently recommended programs I discovered at cbc.ca and CBC radio.  I would like to think this incident has not tarnished my affection for the public broadcaster, but am feeling those equal parts frustration and disappointment alienating a long-time fan.